Camera Lucida: Reflections on Photography Paperback | Pages: 119 pages

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Original Title:	La chambre claire: Note sur la photographie
ISBN:	0374521344 (ISBN13: 9780374521349)
Edition Language:	English

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A graceful, contemplative volume, Camera Lucida was first published in 1979. Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established Camera Lucida as one of the most important books of theory on this subject, along with Susan Sontag's On Photography.

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Title	:	Camera Lucida: Reflections on Photography
Author	:	Roland Barthes
Book Format	:	Paperback
Book Edition	:	Anniversary Edition
Pages	:	Pages: 119 pages
Published	:	May 1st 1982 by Hill and Wang (first published 1980)
Categories	:	Art. Photography. Nonfiction. Philosophy. Theory. Writing. Essays

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I spent this afternoon looking through old black & white photos from the fifties taken by my father, of the extended family. My cousins, now dead or old, as they were when young, at birthday, Easter and Christmas parties, and my mother as an attractive young woman with her life before her. Of myself in one group photo, aged 1 year, somewhat annoyed at sliding off my cousin Janets 8-year-old knee as I try to read my book, believe it or not!Ive often thought this that when you look into a

I found this short book a bit frustrating at first, while I was still under the impression that I was reading a book about photography. Barthes' discussion takes off from the experience of the viewer, not the photographer or the photo itself, and for a while I felt that I was floundering around in rather self-indulgent and often pretentious text, saved every couple of pages by a sentence or two that conveyed something novel enough to keep me going. It gradually dawned on me that Barthes is not

Notes on whatever:ch 5: A) Barthe's concern with being cast out of both the critical and the technical halves of photography, of wanting to start from his own concept of what photography "is." He can only feel comfortable trusting his "truest" knowledge, a small handful of photographs he feels are doing what he think photography can do, that he finds genuinely affecting. This sounds really pretentious in the rewriting, but feels honest on the page and actually, like the only logical way to learn

It is said that mourning, by its gradual labour, slowly erases pain; I could not, I cannot believe this; because for me, Time eliminates the emotion of loss (I do note weep), that is all.[listening to Philip Jeck's 7 album as I write, appropriate, evocative.]This treatment of photography appears grounded in a sense of time and thus in a sense of loss. Ephemeral beings contemplating moments which are lost--even if preserved in an image, the distillation of memory obscures and distorts. Barthes

In Camera Lucida, literary theorist, philosopher, and linguist Roland Barthes attempts to find the essence of photography and how photography affects him as the spectator of photographs. It also serves as a poignant eulogy to his mother, who passed away in 1977, and he shows a grieving pain that is reflected throughout Camera Lucida. Barthes himself lost his life three years later, after being knocked down by a van whilst walking to his Parisian home. Barthes approaches his analysis of

while to many this book is another of barthes extended fragmentary ramblings on modern media, this is actually a touching novella about a solitary man's recognition of his own humanity upon the death of his mother. he so longs for transcendence, redemption, and eternal life and he prays it might come through the archives and the text. and yet he sadly worries it might not. and that his intellectual musings have somehow missed the point. if you ever wondered what in search of lost time was really

I could give it tens of thousands of stars, and still it wouldn't be enough.